and Campanula Books
At the London Book Fair 2022, Vaughan Pilikian, Michael Vince and John Greening read poems from their Mica Press books in the Poets' Corner Event Space, on Tuesday 5 April.
‘From the opening of this pamphlet, it is clear that we are in the hands of a masterful guide’
Stand, Winter 2021
An unnamed traveller is distracted from his
business trip by a sign ‘To the Giddings’. He sets off
walking through the Huntingdonshire landscape,
with its Civil War associations and modern military
bases, past wind turbines and fragments of ancient
woodland, the trees providing a commentary in a
variety of verse forms – lyrical, sardonic, admonitory.
But it turns out that he is also walking through time
and, after a powerful encounter with Nicholas
Ferrar in 17th-century Little Gidding, towards a
mysterious metamorphosis. In the tradition of The Pilgrim's Progress, and
owing something to Ted Hughes's Gaudete, this ingenious and musical
interweaving of verse and prose continues John Greening's earlier series of
long 'dream poems'. Composed before the pandemic, The Giddings still tells
a highly relevant story about a search for spiritual meaning and the power of
nature in dark times.
John Greening is a poet, critic and playwright. Born in 1954 in Chiswick, he was brought up near Heathrow Airport and attended university at Swansea, Mannheim and Exeter. His poetry has been awarded the Bridport Prize, the TLS Centenary Prize, the Arvon Prize and a Cholmondeley Award.
This year sees publication of his edition of Iain Crichton Smith and a major anthology of country house poems Hollow Palaces. – co-edited with Kevin Gardner who is currently preparing John Greening’s new Selected Poems. He is married, with two daughters. For further details see his website www.johngreening.co.uk or visit John Greening (poet) - Wikipedia
Reviews of John Greening’s poetry:
‘A fine collection of verse... constantly fresh and insightful…. It is a collection to
return to frequently, in order to immerse oneself in its richness, its darkness, and
its felicity of voice.
David Malcolm, Poetry Salzburg Review, on The Silence
'Knot is a miniature masterpiece'
Harry Ricketts, Warwick Review
‘Another successful long poem ... deepens the sense of an imaginative engagement
with the history and land.’
Nicholas Murray, Times Literary Supplement, on To the War Poets
‘Greening’s control and his breadth of vision result in impressive poetry, and show
the value of a long poetic sequence when it is handled well [...] a resonant and
intricate piece of work which deserves to be widely read.’
Matthew Jarvis, English, on Omm Sety